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Legends of the Fall (James Horner)

Posted on November 3, 2011 | 2 Comments

(1994)

1995 for James Horner is easily amongst the finest years for a composer in Hollywood history.  Though Legends of the Fall’s score was written in 1994, it didn’t get a release on album until January of 1995, a year which also saw Horner writing two other masterpieces for Apollo 13 and Braveheart, earning Oscar nominations for both.  His major success didn’t come until 1997 however, with the massive success of his music for Titanic.  It’s a shame, because Titanic is a significantly inferior score when compared to any of its aforementioned predecessors, and its success has overshadowed them ever since.  Legends of the Fall is easily amongst the best scores of the modern age of film music, and some would probably argue the best ever.

Horner takes a leitmotivic approach to the score, with several great themes weaving reflecting a character or an element of the storyline.  The first theme to be introduced is also the most prominent throughout the score, first introduced on solo trumpet, an then the rest of the orchestra slowly builds up the piece whilst the shakuhachi flute adds a somewhat eerie sense to the music, with brilliant effect.

The next theme is that for the Ludlow family, and is easily the best of them all.  Indeed, some would argue it’s Horner’s single best piece from a film score.  It opens with a lovely solo piano performance, and is then given a lush rendition by the string section of the orchestra.  There’s only one thing to say – glorious.

The action music is equally excellent, with the cue “Samuel’s Death” being particularly notable, an eight minute long piece of orchestral mayhem representing the horrors of war.  The romantic music is also great, with “Alfred Moves to Helena” probably being the best.

The final track on the album is quite possibly the best piece of music Horner has ever written.  No other composer manages to put together such long pieces of music for an album, and this twelve minute piece demonstrates Horner’s ability there to the highest possible degree.  Throughout the piece he weaves an incredible musical tapestry, linking all the themes together perfectly.  It’s just pure magic.

In sum, this score is a masterpiece that deserves to be included in the collection of any film music fan.  Few 75 minute long albums are not too long, but this is certainly one of them.  It’s the best score of its year, one of the best of the 90’s, and probably the best score Horner has ever written.  Seek with the utmost confidence.

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Track Listing
1. Legends of the Fall (4:17)
2. The Ludlows (5:40)
3. Off to War (5:55)
4. To the Boys… (2:49)
5. Samuel’s Death (8:24)
6. Alfred Moves to Helena (3:01)
7. Farewell / Descent into Madness (8:13)
8. The Changing Seasons / Wild Horses / Tristan’s Return (5:11)
9. The Wedding (3:06)
10. Isabel’s Murder / Recollections of Samuel (3:58)
11. Revenge (6:20)
12. Goodbyes (3:12)
13. Alfred, Tristan, the Colonel, the Legend… (15:09)

Total Time: 75:18

Credits

Music Composed, Conducted & Produced by James Horner

Orchestrated by Thomas Pasatieri & Don Davis

Performed by The London Symphony Orchestra

Awards

Golden Globe Award for Best Original Score (nominated)

Insert Notes

The liner notes contain credits and a note from the film’s director Edward Zwick

All images and artwork are Copyright © Epic Soundtrax

  • http://www.generuyle.com Gene Ruyle

    My compliments on your very balanced, articulate, discerning, and professionally knowing review. With you, I also find Legends of the Fall at the top of James Horner’s incredibly lengthy list of film scores. For some reason, a few of his instrumental thematic pieces come floating in with words (or at least a haunting strand) already attached. And this score most of all, perhaps because it features the country treated in its story, the plains and prairies I was born and raised in that became a living part of me. Your thoughts, so ably expressed, have prompted me to blow the dust of the notes I have written down back then in a notebook only now being lifted from years in storage.

    Did you also happen to write anything on Cocoon that I may find online?

    With appreciation and keen interest,

    Gene Ruyle

    • http://www.moviecues.com Archie Watt

      Hi Gene

      Many thanks for the positive feedback :)

      RE Cocoon – I don’t have that score, and since it’s long out of print it’s therefore very expensive to get hold of, so I can’t promise anything there I’m afraid.

      Regards

      Archie